\header { filename= "Dussek_Op46_3" title = \markup \center-align {"Six sonates faciles pour le Piano Forte" "avec accompagnement de Violon Ad Libitum" " "} opus = "Opus 46 no. 3 (Craw 19)" subtitle= "Sonate III" composer="J. L. Dussek (1760-1812)" source="Six SONATES Faciles Pour le Piano Forte AVEC ACCOMPAGNEMENT de Violon Ad Libitum; à Paris Chez RICHAULT, Editeur de Musique, Boulevard Poissonnière N° 26 au Ier 663.R. (undated, apparently first half 19th Century)" copyright="Creative Commons Attribution-ShareAlike 3.0" style = "Classical" mutopiatitle = "Six sonates faciles pour le Piano Forte (III)" mutopiacomposer = "DussekJL" mutopiainstrument = "Piano" maintainer = "Kris Van Bruwaene" maintainerEmail = "kris.vanbruwaene@gmail.com" lastupdated = "2008-12-27" footer = "Mutopia-2009/01/05-1608" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \version "2.10.33" globalAllegro = { \time 4/4 \key bes \major } TopVoiceAllegro = \relative g' { %1 f'2 f8 g a bes | %2 a g fis g g4 r | %3 g,8 r bes r es r g r | %4 g f e f f4 r8 f | %5 f2( a,8) f'-| f-| f-| | %6 f2( bes,8) bes'-| bes-| bes-| | %7 4 8 4 | %8 2 4 r8 f, | %9 f2( a,8) f' f f | %10 f2( bes,8) bes' bes bes | %11 4 8 4 | %12 r16 d'' f d r bes d bes r f bes f | %13 r d f d r bes d bes r f bes f r d f d | %14 r c f c r d f d r c f c r des f des | %15 c4 r | %16 c'8 c'16 b c8-| c-| c-| c-| c-| c-| | %17 c c c c c-| c( c e) | %18 f4 4 ( ) | %19 ( ) | %20 printing error: last four notes below are 16ths/semiquavers in original 4 g'16 f e f a8 f a f | %21 r16 f( e f) g( f e f) a8 f a f | % r8 f16 g f8 f d'16 as g f d' as g f | %23 e4 r8 c' | %24 2 4 4 | %25 2 4 4 | %26 4. 8 4 | %27 4. 8 4 | %28 4. c8 e c e c | %29 f4 8. 16 4 | %30 4. c8 e c e c | %31 f4 f f r \bar ":|:" | %32 c2 c8 d e f | %33 error corrected: original has no accidental natural E here but E flat e d cis d d4 r | %34 d,8 r f r bes r d r | %35 d([ c b c] c4) r8 c | %36 c2( e,8) c' c c | %37 c2( f,8) f' f f | %38 4( 8 4) | %39 2 4 r | %40 c''2( e,8) c' c c | %41 c2( f,8) f' f f | %42 4 8 4 | %43 2 r8 c bes16( a g f) | %44 f8 e e4 r8 e8( f g) | %45 f( e) es4 c'8 a f es | %46 es4.( f16 es) d4 r | %47 d2 r8 a' g16 fis e d | %48 d4.( e16 d) cis4 r | %49 d8( cis) c4 a'8( fis d c) | %50 c4.( d16 c) bes4 d | %51 es16( d es f) g8 es cis( d) r d | %52 c16( b c d) es8 c a( bes) r f' | %53 4. g16 f 4 | %54 f'8 f f( e d c) | %55 r f[ f f] f( e d c) | %56 4 r8 e f( fis g gis) | %57 a[( bes b c]) cis( d es e) | %58 f2 f8( g a bes) | %59 a[( g fis g]) g4 r | %60 g,8 r bes r es r g r | %61 g[( f e f]) f4 r8 f | %62 f2( a,8) f' f f | %63 f2( bes,8) bes' bes bes | %64 4 8( ) 4 | %65 r16 d' f d r d f d r bes d bes | %66 r f bes f r bes d bes r f bes f r d f d | %67 r g bes g r es g es r g bes g r es g es | %68 r d f d r bes d bes r c es c r a c a | %69 r8 bes d f bes c d es | %70 2 4 | %71 2( 4) | %72 4. 8 4 | %73 4. 8 4 | %74 4. f8 a f a f | %75 bes4 8. 16 4 | %76 4. f8 a f a f | %77 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible bes 4 r \bar ":|"\mark \markup { \musicglyph #"scripts.ufermata" } } BottomVoiceAllegro = \relative g { \clef bass %1 bes8[ d bes d] bes d bes d | %2 bes[ es bes es] bes es bes es | %3 bes[ es bes es] bes es bes es | %4 bes8[ d bes d] bes d bes d | \clef treble %5 r8 2 | %6 r8 2 | %7 es2 f4 fis | %8 fis2 g4 r | \clef bass %9 r8 2 | %10 r8 2 | %11 es2 f4 f, | %12 bes \clef treble bes''' f d | %13 bes f d bes | \clef bass %14 a bes a bes | %15 a f f r | \clef treble %16 r4 | %17 | \clef bass %18 8 c16 b c8-| c-| c-| c-| c-| c-| | %19 c c c, c d d e e | %20 f4 r r2 | %21 d'4 r r2 | \clef treble %22 b8[ f' as f] b,4 r | \clef bass %23 c8[ c, e g] c4 r | %24 f,8[ a c a] f a c a | %25 f8[ a c a] f a c a | %26 f8[ bes c bes] f a c a | %27 f8[ bes c bes] f a c a | %28 4 c c | %29 r r2 | %30 4 c c | %31 r \bar ":|:" | %32 f,8[ a f a] f a f a | %33 f[ bes f bes] f bes f bes | %34 f[ bes f bes] f bes f bes | %35 f[ a f a] f a f a | %36 r 4 r %37 r8 2 | %38 bes2 c4 cis | %39 cis2 d4 r | \clef treble %40 r8 4 r | %41 r8 4 r | %42 bes2 c4 c, | \clef bass %43 f,8 a f a f a f a | %44 g bes g bes g bes g bes | %45 a c a c a c a c | %46 bes[ d bes d] bes d bes d | % d,[ fis d fis] d fis d fis | % e[ g e g] e g e g | % fis[ a fis a] fis a fis a | % g[ bes g bes] g bes g bes | %51 4 r f8 a f a | %52 4 r d8 f d f | %53 r4 f a bes | %54 f r 2 %55 | %56 4 r r2 | r1 | %58 bes8[ d bes d] bes d bes d | %59 bes[ es bes es] bes es bes es | %60 bes[ es bes es] bes es bes es | %61 bes8[ d bes d] bes d bes d | \clef treble %62 r8 [ ] 2 | %63 r8 [ ] 2 | %64 es2 f4 f, | %65 bes \clef treble bes'' bes f | %66 d f d bes| %67 es, bes' g es | %68 f d es f | %69 bes, r r2 | \clef treble %70 bes8[ d f d] bes[ d f d] | % bes[ d f d] bes[ d f d] | %72 bes[ es f es] bes[ d f d] | %73 bes[ es f es] bes[ d f d] | %74 4 f 4 f | %75 4 r r2 | %76 4 f 4 f | \clef bass %77 bes,4 bes, bes' r \bar ":|" } globalRondo = { \time 6/8 \key bes \major } TopVoiceRondo = \relative g' { \partial 8*1 f8 | %1 4 8 | %2 4 bes'8 4 d'16 bes | %3 a g a f bes8 a16 g a f bes8 | %4 4 8 4 f8 | %5 8[ ] | %6 4 bes8 4 d'16 bes | %7 a[ g a f g a] bes f d' f, f' f, | %8 a[ g a f g a] bes4 \bar":|:" f8 | %9 d4 f16 d c8 c16 f a c | %10 bes8[ bes bes] a4 f8 | %11 d4 f16 d c8 c16 f a c | %12 error corrected: last C below is quarter/crotchet in original print bes8[ bes bes] a r c, | %13 c4 d16 c f c f c a' c, | %14 c'8[ c a16 f] c'8 c a16 f | %15 c4 d16 c e c e c g' e | %16 c'8[ c g16 e] c'8 c g16 e %17 c4 des16 c f c f c as' f | %18 c'8[ c as16 f] c'8 c as16 f | %19 c4 des16 c e c e c g' e | %20 c'8[ c g16 e] c'8 c g16 e | %21 f8[ a16 bes c bes] 4 r8 | %22 8[ a16 bes c bes] 4 r8 | %23 g8[ bes16 g bes g] e8 g16 e g e | %24 f8[ f16 a g e] f4 c16 a | %25 g8[ bes16 g bes g] e8 g16 e g e | %26 f8[ f16 a g e] f4 f8 | %27 4 8 | %28 4 bes'8 4 d'16 bes | %29 a g a f bes8 a16 g a f bes8 | %30 4 8 4 f8 | % 8 | % 4 bes'8 4 d'16 bes | % a[ g a f g a] bes f d' f, f' f, | % a[ g a f g a] bes4 \bar ":|" } BottomVoiceRondo = \relative a { \clef F \partial 8*1 r8 %1 bes,8[ d f] a,4. | %2 bes8[ bes' bes] bes4 r8 | \clef G %3 4 8 4 8 | \clef F %4 a[ f bes] f4 r8 | %5 bes,8[ bes' bes] bes bes bes | %6 bes,8[ bes' bes] bes bes bes | %7 f[ c' es] 4 r8 | %8 f[ c' es] 4 \bar":|:" r8 | \clef G %9 bes16[ f' bes, f' bes, f'] a,16 f' a, f' a, f' | %10 g,[ e' g, e' g, e'] f, f' e f e f | %11 bes,16[ f' bes, f' bes, f'] a,16 f' a, f' a, f' | \clef F %12 g,[ e' g, e' g, e'] f,8 f' r8 | \clef G %13 c8[ f a] c, f a | % c,8[ f a] c, f a | %15 c,[ g' bes] c, g' bes | %16 c,[ g' bes] c, g' bes | %17 c,[ f as] c, f as | %18 c,[ f as] c, f as | %19 c,[ g' bes] c, g' bes | %20 c,[ g' bes] c, g' bes | %21 4 r8 f f e | %22 d4 r8 d d c | \clef F %23 bes4. 4. | %24 4 8 4 r8 | %25 bes4. 4. | %26 Original has bass B flat in second chord, corrected to C 4 8 4 r8 | %27 bes,8[ d f] a,4. | %28 bes8[ bes' bes] bes4 r8 | \clef G %29 4 8 4 8 | \clef F %30 a8[ f bes] f4 r8 | % bes,8[ bes' bes] bes[ bes bes] | % bes,8[ bes' bes] bes[ bes bes] | % f[ c' es] 4 r8 | % f,[ c' es] 4 \bar ":|" } #(set-global-staff-size 19) \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAllegro % The following makes the beaming group on every quarter note, % instead of on each whole measure or eigth note or something: #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceAllegro } \new Staff = "down" { \globalAllegro #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceAllegro } >> \layout {} \header {piece = \markup{ \bold {Andantino}} } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 100 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalRondo #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceRondo } \new Staff = "down" { \globalRondo #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceRondo } >> \layout {} \header {piece = \markup{ \bold {Rondo Allegretto}}} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 90 4) } } }