\header { filename= "Dussek_Op46_1" title = \markup \center-align {"Six sonates faciles pour le Piano Forte" "avec accompagnement de Violon Ad Libitum" " "} opus = "Opus 46 no. 1 (Craw 17)" subtitle= "Sonate I" composer="J. L. Dussek (1760-1812)" source="Six SONATES Faciles Pour le Piano Forte AVEC ACCOMPAGNEMENT de Violon Ad Libitum; à Paris Chez RICHAULT, Editeur de Musique, Boulevard Poissonnière N° 26 au Ier 663.R. (undated, apparently first half 19th Century)" copyright="Creative Commons Attribution-ShareAlike 3.0" style = "Classical" mutopiatitle = "Six sonates faciles pour le Piano Forte (I)" mutopiacomposer = "DussekJL" mutopiainstrument = "Piano" maintainer = "Kris Van Bruwaene" maintainerEmail = "kris.vanbruwaene@gmail.com" lastupdated = "2008-12-23" footer = "Mutopia-2009/01/05-1605" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \version "2.10.33" globalAllegro = { \time 4/4 \key c \major } TopVoiceAllegro = \relative g' { g'4. e8 c[ c d e] | d4 d8[ e] c4 r | c'4. g8 e[ e f g] | % m4 f4 f8[ g] e4 r8 g | a8.[ f16] c4 a'16[ c b c] d[ c b c] | % m6 g8.[ e16] c4 g'16[ c b c] d[ c b c] | % m7 r f,[ d' f,] d'[ f, d' f,] r e[ c' e,] c'[ e, c' e,] | % m8 d4 f16[ d c b] c8-|[ e-|] g r | % m9 r16 f[ d' f,] d'[ f, d' f,] r e[ c' e,] c'[ e, c' e,] | % m10 d4 r | % m11 d'4 d16[ b a g] d'[ b a g] d'[b a g] | % m12 fis8[ a] d,4 r8 d[ e fis] | % m13 g4 d'16[ b a g] d'[ b a g] d'[b a g] | % m14 fis8[ a] d,4 r8 d[ e fis] | % m15 << {g8[ b] b[( a-|)] a[( g-|) g( fis-|)]} \\ {g8[ g] g[ fis] fis[ e e d]} >> | % m16 << {fis( g-|) g( fis-|)] fis[( e-|)] e[( d-|)]} \\ {d[ e] e[ d] d[ c] c[ b]} >> | % m17 4 a16[ c a c] g[ b g b] fis[ a fis a] | % m18 g8[ b] << { b([ a-|)] a[( g-|) g( fis-|)] } \\ { g[ fis] fis[ e e d] } >> | % m19 << {fis[( g-|) g( fis-|)] fis[( e-|) e( d-|)] } {d[ e e d] d[ c c b]} >> | % m20 4 e16[ c' e, c'] d,[ b' d, b'] c,[ a' c, a'] | % m22 g4 r \bar":|:" % m23 d4. b8 g[ g a b] | % m24 a4 a8[ b] a4 r | % m25 d4. b8 g[ g a b] | % m26 c4 c8[ e] c4 r | % m27 r16 a'[ gis a] b[ a gis a] r g[ fis g] a[ g fis g] | % m28 r f[ e f] g[ f e f] r e[ dis e] f[ e dis e] | % m29 r d[ cis d] e[ d cis d] r c[ b c] d[ c b c] | % m30 b[ c d e] f8 r r f[ f d] | % m31 b16[ c d e] f8 r r f[ f d] | % m32 b16[ c d c] b8 r a16[ b c b] a8 r | gis4 r | % m33 4.( 8 4) r | % m34 4.( 8 4) r | % m35 4.( 8 4) | % m36 2( 4) r | % m37 4\f r c16[ a' f a] c,[ a' f a] | % m38 g2 c,16[ g' e g] c,[ g' e g] | % m39 8[ ] 4 a'16[ f e d] a'[ f e d] | % m40 8[ ] 4 g'16[ e d c] g'[ e d c] | % 41 g'4 <<{ d8[ d] e[ e fis fis]} \\ { b,8[ b] c[ c a a] }>> | % 42 << {g'4 d8[ d] e[ e fis fis] } \\ { b,4 b8[ b] c[ c a a] }>> | % 43 4 g'16[ b g b] g4 g16[ b g b] | % 44 g4. fis8 \grace a16 g8[ fis \grace a16 g8 fis] | % 45-47 g4. e8 c[ c d e] | d4 d8[ e] c4 r | c'4. g8 e[ e f g] | % 48-49 f4 \turn f8[ g] e4. g8 | a8.[ f16] c4 a'16[ c b c] d[ c b c] | % 50 g8.[ e16] c4 g'16[ c b c] d[ c b c] | % 51 r16 f,[ d' f,] d'[ f, d' f,] r e[ c' e,] c'[ e, c' e,] | % 52 d4 r | % 53 g'4 g16[ e d c] g'16[ e d c] g'16[ e d c] | % 54 b8[ d] g,4 r8 g[ a b] | % 55 c4 g'16[ e d c] g'16[ e d c] g'16[ e d c] | % 56 b8[ d] g,4 r8 g'[ a b] | % 57 << {c8[ e] e[( d]) d[( c) c( b])} \\ {c8[ c] c[ b] b[ a a g]}>> | % 58 << {b[( c) c( b]) b[( a) a( g])} \\ {g[ a a g] g[ f f e]} >> | % 59 4 d16[ f d f] c[ e c e] b[ d b d] | % 60 << {c8[ e e d] d[ c c b]} \\ {c8[ c c b] b[ a a g]} >> | % 61 << {b[ c c b] b[ a a g]} \\ {g[ a a g] g[ f f e]} >> | % 62 4 f16[ f' f, f'] e,[ e' e, e'] d,[ d' d, d'] | % 63 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible c,4 r \bar ":|"\mark \markup { \musicglyph #"scripts.ufermata" } } BottomVoiceAllegro = \relative a { \clef treble c16[ g' e g] c,[ g' e g] c,[ g' e g] c,[ g' e g] | % m2 g,[ f' d f] g,[ f' d f] c[ g' e g] c,[ g' e g] | % m3 c,[ g' e g] c,[ g' e g] c,[ g' e g] c,[ g' e g] | % m4 b,[ g' d g] b,[ g' d g] c,[ g' e g] c,[ g' e g] | % m5 8[ ] [ ] | % m6 [ ] [ ] | % m7 4 r r | % m8 b16[ g' f g] d[ g f g] c,[ g' e g] c,[ g' e g] | % m9 4 r r | \clef bass % m10 g8 g, b d g4 r | \clef treble % m11 d'16[ b' g b] d,[ b' g b] d,[ b' g b] d,[ b' g b] | % m12 d,16[ c' a c] d,[ c' a c] d,[ c' a c] d,[ c' a c] | % m13 d,16[ b' g b] d,[ b' g b] d,[ b' g b] d,[ b' g b] | % m14 d,16[ c' a c] d,[ c' a c] d,[ c' a c] d,[ c' a c] | % m15 g4 r r2 | r1 | \clef bass % m17 g,8[ g c c] d[ d] d,[ d] | % m18 g4 r r2 | r1 | % m20 g4 c,8[ c] d[ d] d,[ d] | d[ g' d b] g4 r \bar":|:" % m22 g'16[ d' b d] g,[ d' b d] g,[ d' b d] g,[ d' b d] | % m23 fis,[ d' c d] fis,[ d' c d] fis,[ d' c d] fis,[ d' c d] | % m24 f,[ d' b d] f,[ d' b d] f,[ d' b d] f,[ d' b d] | % m25 e,[ c' g c] e,[ c' g c] e,[ c' g c] e,[ c' g c] | % m26 4 r r | \clef treble % m27 r r | \clef bass % m28 r r | \clef treble % m29-30 d8[ f d f] d8[ f d f] | d8[ f d f] d8[ f d f] | % m31 d8[ f d f] dis8[ fis dis fis] | \clef bass % m32 e4 r | % m33 a,,8[ a' a a] a[ a a a] | % m34 d,,[ d' d d] d[ d d d] | % m35 e,[ e' e e] e[ e e e] | % m36 f,[ f' f f] f,4 r | % m37 f'16[\f c' a c] f,[ c' a c] f,4 r | % m38 e16[ c' g c] e,[ c' g c] e,4 r | \clef treble % m39 8[ ] 4 r2 | % 40 8[ ] 4 r2 | \clef bass % 41 42 g4 r4 r2 | 4 r4 r2 | % 43 4 r r | % 44 r r2 | \clef treble % 45 c16[ g' e g] c,[ g' e g] c,[ g' e g] c,[ g' e g] | % 46 g,[ f' d f] g,[ f' d f] c[ g' e g] c,[ g' e g] | % 47 c,[ g' e g] c,[ g' e g] c,[ g' e g] c,[ g' e g] | % 48 b,[ g' d g] b,[ g' d g] c,[ g' e g] c,[ g' e g] | % 49 8[ ] [ ] | % 50 [ ] [ ] | % 51 4 r r | \clef bass % 52 g8 g, b d g4 r | % 53 g16[ e' c e] g,16[ e' c e] g,16[ e' c e] g,16[ e' c e] | % 54 g,[f' d f] g,[f' d f] g,[f' d f] g,[f' d f] | % 55 g,16[ e' c e] g,16[ e' c e] g,16[ e' c e] g,16[ e' c e] | % 56 g,[f' d f] g,[f' d f] g,[f' d f] g,[f' d f] | % 57 58 c4 r r2 | r1 | % 59-61 c8[ c f, f] g[ g g, g] | c4 r r2 | r1 | % 62-63 c4 f8[ f] g[ g g, g] | c,[ c' g e] c4 r \bar ":|" } globalAndante = { \time 2/4 \key c \major } TopVoiceThema = \relative g' { %1 \partial 8*1 g8 | %2 c c\turn r16 c e c | %3 g'8 g\turn r16 g b g | %4 c g e g f d e c | %5 8 16. 32 8 g | %6 c c\turn r16 c e c | %7 g'8 g\turn r16 g b g | %8 c g e g g f e d | %9 c16. e32 c16. e32 c8 \bar ":|:" e %10 d16 e f g f e dis e | %11 g b, b b d c b c | %12 d e f g f e d c | %13 8 16. 32 8 g8 | %14 c c\turn r16 c e c | %15 g'8 g\turn r16 g b g | %16 c g e g g f e d | %17 c16. e32 c16. e32 c8 \bar "|." } TopVoiceVarOne = \relative g' { % 1er var. \partial 8*1 g| %2 c16-| c b c \times 2/3 {e[ d c]} \times 2/3 { e[ d c]} | %3 g'16-| g fis g \times 2/3 {b[ a g]} \times 2/3 { b[ a g]} | %4 \times 2/3 { r16 c[ g]} \times 2/3 { e[ g e]} \times 2/3 { r f[ d]} \times 2/3 { r e[ c] } | %5 \times 2/3 { r d b } \times 2/3 { r e c } 8 g | %6 c16-| c b c \times 2/3 {e[ d c]} \times 2/3 { e[ d c]} | %7 g'16-| g fis g \times 2/3 {b[ a g]} \times 2/3 { b[ a g]} | %8 \times 2/3 { r16 c[ g]} \times 2/3 { e[ g e]} \times 2/3 { r g[ e]} \times 2/3 { r f[ d] } | %9 \times 2/3 { r c e} \times 2/3 { r c e} c8 \bar ":|:" e | %10 \times 2/3 {r16 d e } \times 2/3 {f[ g f] } \times 2/3 {r e f } \times 2/3 {g[ a g] } | %11 \times 2/3 {r b, c } \times 2/3 {d[ e d] } \times 2/3 {r c d } \times 2/3 {e[ f e] } | %12 \times 2/3 {r d e } \times 2/3 {f[ g f] } \times 2/3 {e[ g f] } \times 2/3 {e[ d c] } | %13 \times 2/3 {r d b } \times 2/3 {r e c } 8 g | %14 c16 c b c \times 2/3 {e[ d c] } \times 2/3 {e[ d c] } | %15 g' g fis g \times 2/3 {b[ a g] } \times 2/3 {b[ a g] } | %16 \times 2/3 {r c g } \times 2/3 {e[ g e] } \times 2/3 {r g e } \times 2/3 {r f d } %17 \times 2/3 {r c e } \times 2/3 {r c e } c8 \bar ":|" } TopVoiceVarTwo = \relative g' { % 2e var. \partial 8*1 g| %2 \times 4/6 {r16 e g c g e} \times 4/6 {r g c e c g} | %3 \times 4/6 {r g b d b g} \times 4/6 {r b d g d b} | %4 \times 4/6 {r c e g e c} \times 4/6 {g' f d g e c} | %5 \times 2/3 {b[ d g]} \times 2/3 {c,[ e g]} 8 g | %6 \times 4/6 {r16 e g c g e} \times 4/6 {r g c e c g} | %7 \times 4/6 {r g b d b g} \times 4/6 {r b d g d b} | %8 \times 4/6 {r c e g e c} \times 2/3 {r f[ d]} \times 2/3 {r d b} | %9 \times 2/3 {r c g} \times 2/3 {r e' g,} c8 \bar ":|:" e %10 \times 2/3 {g16[ f d]} \times 2/3 {g[ f d]} \times 2/3 {g[ e c]} \times 2/3 {g'[ e c]} | %11 \times 2/3 {g'[ d b]} \times 2/3 {g'[ d b]} \times 2/3 {g'[ e c]} \times 2/3 {g'[ e c]} | %12 \times 2/3 {g'[ f d]} \times 2/3 {g[ f d]} \times 2/3 {g[ e c]} \times 2/3 {g'[ e c]} | %13 \times 2/3 {r d g} \times 2/3 {c,[ e g]} 8 g, | %14 \times 4/6 {r16 e g c g e} \times 4/6 {r g c e c g} | %15 \times 4/6 {r g b d b g} \times 4/6 {r b d g d b} | %16 \times 4/6 {r c e g e c} \times 2/3 {r f d} \times 2/3 {r d b} | %17 \times 2/3 {r c g} \times 2/3 {r e' g,} c8 \bar ":|" } TopVoiceVarThree = \relative g' { % 3e var \partial 8*1 g| %2 c c r16 c\turn e c | %3 g'8 g r16 g\turn b g | %4 c g e g f d e c | %5 \times 2/3 {d[ b g]} \times 2/3 {e' c g} 8 g | %6 c c r16 c\turn e c | %7 g'8 g r16 g\turn b g | %8 c g e g g f e d | %9 c e c e c8 \bar":|:" e | %10 d8 \times 2/3{ d16 e f} e8 \times 2/3 {g16 e c} | %11 b8 \times 2/3 {b16 c d} c8 \times 2/3 {c16 d e} | %12 d8 \times 2/3 {d16 e f} \times 2/3 {e16[ g f]} \times 2/3 {e[ d c]} | %13 \times 2/3 {d[ b g]} \times 2/3 {e'[ c g]} 8 g | %14 c c r16 c\turn e c | %15 g'8 g r16 g\turn b g | %16 c g e g g f e d | %17 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible c e c e c8 \bar":|"\mark \markup { \musicglyph #"scripts.ufermata" } } BottomVoiceThema = \relative a { \clef treble \partial 8*1 r8 | %2 8 | %3 | %4 4 b8 c | \clef bass %5 g fis g r |\clef treble %6 8 | %7 | %8 4 r16 g16 g' f | %9 16. g32 16. g32 8 \bar ":|:" r %10 b8 g' c, g' | %11 d g e g | % 12 b, g' c,4 | \clef bass %13 g8 fis g r | \clef treble %14 8 | %15 | %16 4 r16 g g' f | %17 8 \bar "|." } BottomVoiceVarOne = \relative a {\clef treble % 1er Var. \partial 8*1 r8 | c16 e c e c e c e | %3 b d f d b d f d | %4 4 b8 c | \clef bass %5 g fis g r | \clef treble %6 c16 e c e c e c e | %7 b d f d b d f d | %8 4 g8 f' | %9 \bar ":|:" r %10 b g' c, e | %11 d g e g | %12 b, g' c,4 | \clef bass %13 g8 fis g r | \clef treble %14 c16 e c e c e c e | %15 b d f d b d f d | %16 4 g8 f' | %17 \bar ":|" } BottomVoiceVarTwo = \relative a { \clef bass \partial 8*1 r8 | %2 c,8 r c' r | \clef treble %3 8 r r | %4 r b c | \clef bass %5 g4 g8 r | %6 c,8 r c' r | \clef treble %7 8 r r | %8 r f g | %9 \bar ":|:" r | %10 b g' c, g' | d g e g | %12 b, g' c, g' |\clef bass g,4 g8 r | %14 c, r c' r | \clef treble %15 r r | %16 r f g | %17 \bar ":|" } BottomVoiceVarThree = \relative a { \clef treble \partial 8*1 r8 | %2 \times 2/3 {c16[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | %3 \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} | %4 \times 2/3 {c[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {b,[ d g]} \times 2/3 {c,[ e g]} | \clef bass %5 g,8 g g r | \clef treble %6 \times 2/3 {c16[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | %7 \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} | %8 \times 2/3 {c[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {d[ f g]} \times 2/3 {d[ f g]} | %9 \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} c,8 \bar ":|:" r | %10 \times 2/3 {b16[ d g]} \times 2/3 {b,[ d g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | %11 \times 2/3 {d[ f g]} \times 2/3 {d[ f g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | %12 \times 2/3 {b,[ d g]} \times 2/3 {b,[ d g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | \clef bass %13 g,8 g g r | \clef treble %14 \times 2/3 {c16[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} | %15 \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} \times 2/3 {b,[ d f]} | %16 \times 2/3 {c[ e g]} \times 2/3 {c,[ e g]} \times 2/3 {d[ f g]} \times 2/3 {d[ f g]} | %17 \times 2/3 {c,[ e g]} \times 2/3 {c,[ e g]} 8 \bar ":|" } #(set-global-staff-size 19) %\paper { % linewidth = 17.8\cm % topmargin = 0.5\cm % bottommargin = 0.9\cm % leftmargin = 1.7\cm % firstpagenumber = 1 %} \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAllegro % The following makes the beaming group on every quarter note, % instead of on each whole measure or eigth note or something: #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceAllegro } \new Staff = "down" { \globalAllegro #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceAllegro } >> \layout {} \header { piece = \markup{\bold Allegro} } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceThema } \new Staff = "down" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceThema } >> \header {piece = \markup{\bold {Andante moderato Con variat.}} } \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 60 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarOne } \new Staff = "down" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarOne } >> \header {piece = \markup {\bold "1re Var."}} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 60 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarTwo } \new Staff = "down" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarTwo } >> \header {piece = \markup {\bold "2e Var." }} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 60 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarThree } \new Staff = "down" { \globalAndante #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarThree } >> \header {piece = \markup {\bold "3e Var."}} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 60 4) } } }