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Ursprunglig

15 Solos for Harp Volume 1. Harp sheet music. Advanced.

Översättning

15 Solos for Harp Volume 1. Harpa noter. Utökad.

Ursprunglig

15 Solos for Harp Volume 1 composed by Monika Mandelartz. For harp. Saddle-stitched. Intermediate-Advanced. Book. 24 pages. Published by Mel Bay Publications, Inc. MB.30403. ISBN 9783940474827. 8.75 x 11.75 inches. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as "Celtic Music". This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day. up to the Renaissance. Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a "snapshot in time". Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.

Översättning

15 Solos for Harp Volume 1 composed by Monika Mandelartz. För harpa. Sadelhäftade. Intermediate-Advanced. Bok. 24 sidorna. Publicerad av Mel Bay Publications, Inc. MB.30403. ISBN 9783940474827. 8.75 x 11.75 inches. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as "Celtic Music". Denna typ av musik är ofta förknippat med den engelska utgivare John Playford. Under 17-talet publicerade han den engelska dansmästare, som innehåller traditionell musik och låtar av hans dag. upp till Renaissance. Författare Monika Mandelartz, specialist på historisk uppförandepraxis, följer Playford tradition genom att arrangera delar av samlingen för keltisk harpa. Därmed Mandelartz påpekar att hennes arrangemang utgör en "ögonblicksbild i tid". Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.