Noter $6.95

Ursprunglig

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

Översättning

Cantata No 129. Lovad vare HERREN, min Gud, BWV 129 var. Johann Sebastian Bach. Röst noter. Körsång noter. Pianoackompanjemang noter.

Ursprunglig

Cantata No. 129. Gelobet sei der Herr, mein Gott, BWV 129. Bach Gesellschaft Ausgabe. Composed by Johann Sebastian Bach. 1685-1750. Edited by Alfred Dorffel. Arranged by Bernhard Todt. Choir and piano. For SAB vocal soli, SATB choir, piano. This edition. Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period. Sacred. Hymns, German. Vocal Score. 40 pages. Published by Serenissima. SA.19689. ISBN 9781932419689. Baroque Period. Sacred. Hymns, German. 6.69 x 9.61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.

Översättning

Cantata No 129. Lovad vare HERREN, min Gud, BWV 129 var. Bach Gesellschaft utgåva. Består av Johann Sebastian Bach. 1685-1750. Redigerad av Alfred Dorffel. Arrangeras av Bernhard Todt. Kör och piano. För SAB vokala soli, SATB kör, piano. Denna upplaga. Paperback. Sacred Kantat, Original Works, transkriptioner, Choral. Barocken. Sakrala. Sånger, tyska. Vocal Betyg. 40 sidorna. Publicerad av Serenissima. SA.19689. ISBN 9781932419689. Barocken. Sakrala. Sånger, tyska. 6,69 x 9,61 inches. This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel of Leipzig just over a century ago with keyboard reductions by Bernhard Todt.