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Ursprunglig

Extreme Make-Over. Johan De Meij.

Översättning

Extreme Make-Over. Johan De Meij.

Ursprunglig

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Composed by Johan De Meij. For Brass Band. Score. Amstel Music. Grade 4-5. 90 pages. Amstel Music #AM78. Published by Amstel Music. HL.4000196. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No.1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

Översättning

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Består av Johan De Meij. För Brass Band. Betyg. Amstel Musik. Grad 4-5. 90 sidorna. Amstel Music #AM78. Published by Amstel Music. HL.4000196. Detta nya verk av Johan de Meij består av en uppsättning av metamorfoser på ett tema från Tjajkovskijs välkända Andante cantabile. from String Quartet No.1 in D. Tjajkovskij sade: "Aldrig har jag varit så stolt över mina kreativa krafter som när Leo Tolstoj satt i stolen bredvid mig att lyssna på min Andante, och tårarna rann nerför hans kinder. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. Följande rörelsen har spelandet av avstämda flaskor, vilket leder till en omfattande marimba solo. Detta går smidigt till finalen, en kanonisk behandling av temat, vilket leder till en festlig slutsats.