Noter $16.00

Ursprunglig

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Översättning

Awatovi. Fagott noter. Klarinett Solo noter.

Ursprunglig

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Översättning

Awatovi består av Daniel Baldwin. För klarinett, fagott. Nivå 5. Publicerad av Imagine musik. IG.CMS126. De Awatovi ruiner, som ligger i Arizona, var en gång en blomstrande Hopi by, funnits i över 450 år innan de första besökarna anlände 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, i över 150 år, haft en relativt fredlig samexistens med spanjorerna efteråt, men med 1700, slutligen kom till en sammandrabbning mellan traditionalist Hopi och de konverterade katoliker. Resultatet blev att traditionalisterna massakrerade de nyomvända och sedan förstörde byn. Symboliskt, nedgången av byn markerade slutet på spanska inblandning i Hopi liv. Den första raden av fagott representerar de blandade intentioner de första upptäcktsresande ledda av Coronado, och är avsedd att förmedla både spanska och indianska röster. Det är också en framtidsvision att komma, en skrämmande föraning av den vackra men karga ruiner för att komma. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Medan Coronado prospektering var inte utan konflikter, valde jag att fokusera på den fredliga karaktären av sitt uppdrag. Det finns två avsnitt här. båda är spanska-smaksatt, men den första är representativ för prospektering, medan den andra delen är att föreslå en lägereld låt reflekterar vad resan skulle ha varit som på natten när de vilade, pratade och sjöng sånger. Detta leder i rörelse två. Kiva. The Kiva murals were discovered in theAwatovi ruins. De målningar som representerar Hopi stammens ritualer och ceremonier. I have used the style of NativeAmerican flute music to portray this. Nästa är Bugle Call, eller El Deguello, representerade och spelas av fagott. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Musiken skiftar representera själva attacken, som porträtteras av en mycket dissonant och dramatiska övergångspassagen. Slutligen Kiva cirklar tillbaka till öppningsmaterialet i en annan nyckel, en symbol för förändring i uppfattningen av spansk conquistador, till Hopi ättling. Awatovi skrevs på förslag min gode vän Ric Jones, och stöddes av Richard Ramey och ett konsortium av oboe och fagott spelare. Tack till er alla för din vision och stöd för detta projekt. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarinett, fagott och piano versionen uruppfördes på IDRs konferens vid Miami University i Ohio av Robert och Mary Nan Jordan 2012 den 9 juli 2012.