Noter $5.95

Ursprunglig

Ne timeas, Maria. Choir sheet music.

Översättning

Ne timeas, Maria. Körsång noter.

Ursprunglig

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Översättning

Ne timeas, Maria. No. 1 from Three Marian Motets. Består av Ko Matsushita. För SSAA kören. Carus Contemporary. Nutida körmusik. Advent, högtider Jungfru Maria, Psalmer i beröm av Jungfru Maria. Full score. Textspråk. Latin. 8 sidor. Publicerad av Carus Verlag. CA.964200. ISBN M-007-14351-0. Med Text språk. Latin. Advent, högtider Jungfru Maria, Psalmer i beröm av Jungfru Maria. Matsushita sammansättning bygger på delar av den gregorianska antifon. Det börjar unisont gregoriansk sång, som var typisk för Renaissance motetter, och början av nya rader text är också härledda från Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Efter stigande D stora arpeggion, den centrala ordet "Jesu" strålar in i Fiss-dur, följande upprepning i kompassen i en oktav på C är lugnare, slutar fredligt med ett F-durackord, ppp.